{"id":1010,"date":"2017-07-31T15:55:30","date_gmt":"2017-07-31T15:55:30","guid":{"rendered":"http:\/\/perfectmusictoday.com\/?p=1010"},"modified":"2017-07-31T15:55:30","modified_gmt":"2017-07-31T15:55:30","slug":"rolling-stones-satanic-majesties-request-50th-anniversary-special-edition-release","status":"publish","type":"post","link":"https:\/\/perfectmusictoday.com\/index.php\/2017\/07\/31\/rolling-stones-satanic-majesties-request-50th-anniversary-special-edition-release\/","title":{"rendered":"THE ROLLING STONES\u2019 THEIR SATANIC MAJESTIES REQUEST \u2013 50th ANNIVERSARY SPECIAL EDITION RELEASE"},"content":{"rendered":"

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\"tn-3\"\"tn-10\"<\/p>\n

Michael Hepworth<\/span><\/p>\n

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\"\"<\/a><\/p>\n

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THE ROLLING STONES\u2019\u00a0THEIR SATANIC MAJESTIES REQUEST \u2013 50th<\/sup>\u00a0ANNIVERSARY SPECIAL EDITION<\/i>\u00a0COMING SEPTEMBER 22 FROM ABKCO\u00a0<\/span><\/b><\/span><\/p>\n

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HOLLYWOOD (Perfect Music Today) 7\/31\/17\/–To commemorate the 50th<\/sup>\u00a0anniversary of The Rolling Stones album\u00a0Their Satanic Majesties Request<\/i>, ABKCO Music is releasing a limited edition deluxe double vinyl\/double hybrid Super Audio CD (compatible with all CD players) package on September 22. The set contains both the stereo and mono versions of every song, all newly remastered by Bob Ludwig.\u00a0Their Satanic Majesties Request – 50th<\/sup>\u00a0Anniversary Special Edition<\/i>\u00a0will include Michael Cooper\u2019s original 3-D lenticular cover photograph, featuring the band in peak psychedelic regalia.<\/p>\n

The Rolling Stones:\u00a0Their Satanic Majesties Request \u2013 50th<\/sup>\u00a0Anniversary Special Edition\u00a0<\/i>pre-order links:<\/p>\n

https:\/\/www.amazon.com\/dp\/B074CG6NV7\/?tag=httpwwwabkcoc-20<\/a><\/p>\n

https:\/\/us.udiscovermusic.com\/collections\/new-arrivals\/products\/their-satanic-majesties-request-50th-anniversary-special-edition-cd-vinyl-set<\/a><\/p>\n

Originally released in December of 1967,\u00a0Their Satanic Majesties Request<\/i>\u00a0is the first self-produced album in the Stones\u2019 vast catalog. Experimental in nature, it was such a departure from the band\u2019s rhythm & blues roots that it threw critics for a loop. Initially derided by Rolling Stone Magazine for being \u201ctoo infused with the pretentions of their musical inferiors\u201d (namely the Beatles), the record was simultaneously lauded by DownBeat with a five star review declaring the album \u201ca revolutionary event in modern pop music.\u201d* Over the ensuing decades, it has proven to be a highly influential body of work; generations of bands have covered\u00a0Satanic<\/i>\u00a0songs, from punk legends The Damned, Bad Brains, and Redd Kross, to hard rockers KISS and Monster Magnet, as well as indie taste makers Cibo Matto and Arcade Fire. Music from the album can be heard in Wes Anderson\u2019s directorial debut\u00a0Bottle Rocket<\/i>.<\/p>\n

The title was derived from a pun based on the inside of British passports at the time which read, \u201cHer Britannic Majesties Principal Secretary of State for Foreign Affairs Requests and Requires . . .\u201d\u00a0Their Satanic Majesties Request<\/i>\u00a0was recorded in pieces between February and October of 1967. It was a tumultuous period for the Rolling Stones \u2013 Mick Jagger, Keith Richards and Brian Jones were arrested for drug possession, with Jones spending three weeks in a nursing home. \u00a0The Stones\u2019 original manager\/producer Andrew Loog Oldham quit halfway through recording sessions, leaving the band to finish the album on their own. A chaotic spring European tour that involved a riot in Poland also interrupted work flow. Very rarely were all five members in the studio at the same time but despite these impediments, Charlie Watts recalled, \u201cThe sessions were a lot of fun because you could do anything. It was so druggy\u2014acid and all that.\u201d<\/p>\n

Grammy award winning music historian Rob Bowman writes in the liner notes for the new set, \u201cTheir Satanic Majesties Request<\/i>\u00a0should be recognized as an important stepping stone in The Rolling Stones\u2019 development from an r&b-inspired band to the inventors of modern rock for the 1970s.\u201d Falling between\u00a0Between the Buttons\u00a0<\/i>and\u00a0Beggars Banquet<\/i>, it was the first of their albums to have identical tracklists in the U.S. and UK.\u00a0Satanic Majesties<\/i>\u2019 ten tunes are saturated with studio effects, non-traditional instruments such as mellotron and theremin, ambient sounds created using oscillators, string arrangements by John Paul Jones (who went on to help establish Led Zeppelin the following year) and more percussive devices than can be named. \u201cCitadel\u201d foreshadowed the direction towards straight-forward rock the Stones would take, while \u201c2000 Light Years From Home\u201d and \u201cShe\u2019s a Rainbow\u201d (a minor hit in the U.S.) capture the band in all its psychedelic glory at that moment in time. They remain the only two songs from the album the band has ever played live. \u201cSing This All Together,\u201d its looser reprise \u201cSing This All Together (See What Happens),\u201d \u201cGomper\u201d and \u201cOn With the Show\u201d transition from traditional song structure to free form freakout \u2013 a trademark of that era, also heard on records by the Mothers of Invention and Pink Floyd.<\/p>\n

Offered as a single just before the album\u2019s release, \u201cIn Another Land\u201d is the only song in The Rolling Stones canon both written and sung by Bill Wyman, who took advantage of the fact that he was the lone member who showed up to the studio one day. The Small Faces happened to be recording next door, so Steve Marriott and Ronnie Lane were invited to contribute backing vocals, with Marriott also providing 12-string acoustic guitar. With Brian Jones on mellotron, Stones cohort Nicky Hopkins on harpsichord and Charlie Watts on drums, Mick and Keith laid down backing vocals, making it a complete Stones affair.<\/p>\n

Michael Cooper, who had created the immaculate art for the Beatles\u2019\u00a0Sgt. Pepper\u2019s Lonely Hearts Club Band\u00a0<\/i>earlier in 1967, was hired by the Stones to make something equally striking for the cover of\u00a0Their Satanic Majesties Request<\/i>. All four Beatles\u2019 likenesses can be seen popping out of flowers, surrounding a photograph of Charlie, Keith, Mick, Brian and Bill in technicolor garb. Cooper used a rare 3-D camera, employing lenticular technology \u2013 when the cover is tilted, the image changes, and every member except for wizard-hatted Mick appear to be moving their heads. Reproduction of the lenticular cover proved costly, and it was eliminated from many subsequent pressings of the album, being replaced by a still image.\u00a0Their Satanic Majesties Request – 50th<\/sup>\u00a0Anniversary Special Edition\u00a0<\/i>restores the original lenticular art, and the discs are housed in a bespoke fold out album limited edition numbered package with a 20 page book including more of Michael Cooper\u2019s photos from the original session, expanding on what the record-buying public saw in 1967.<\/p>\n

Their Satanic Majesties Request\u00a0<\/i>was originally mixed in both stereo and mono, as was standard practice in 1967. The limited edition 50th<\/sup>\u00a0anniversary edition will include the entire album on 180 gram vinyl in stereo, another 180 gram vinyl record in mono, and two hybrid Super Audio CDs (one in stereo and one in mono). Each of these discs includes the entire musical content in both Super Audio CD (SACD) as well as standard CD, providing for complete backward and forward hardware compatibility. The discs will play flawlessly on any SACD compatible or standard CD player.\u00a0 In an SACD player, the laser pick-up automatically reads the SACD layer in Direct Stream Digital (DSD) format, while a standard CD player\u2019s laser pick-up will automatically read through the SACD layer to the CD layer in Pulse Code Modulation (PCM) format. Recently remastered by eleven time Grammy winner Bob Ludwig at Gateway Mastering Studios, the SACD audio is the\u00a0exact<\/i>\u00a0product of his work.<\/p>\n

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*DownBeat<\/p>\n

Vol. 35, No. 11<\/p>\n

May 30, 1968<\/p>\n

Page 30, review of The Rolling Stones\u2019\u00a0<\/span>Their Satanic Majesties Request<\/i>\u00a0<\/span>by Mark Wolf<\/p>\n

Their Satanic Majesties Request – 50th<\/sup>\u00a0Anniversary Special Edition<\/i><\/b>\u00a0track list:<\/b><\/p>\n

Vinyl<\/b><\/p>\n

<\/div>\n

Side A (stereo)<\/strong><\/p>\n

1)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>Sing This All Together<\/p>\n

2)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>Citadel<\/p>\n

3)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>In Another Land<\/p>\n

4)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>2000 Man<\/p>\n

5)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>Sing This All Together (See What Happens)<\/p>\n

<\/div>\n

Side B (stereo)<\/strong><\/p>\n

1)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>She\u2019s a Rainbow<\/p>\n

2)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>The Lantern<\/p>\n

3)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>Gomper<\/p>\n

4)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>2000 Light Years from Home<\/p>\n

5)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>On with the Show<\/p>\n

<\/div>\n

Side C (mono)<\/strong><\/p>\n

1)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>Sing This All Together<\/p>\n

2)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>Citadel<\/p>\n

3)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>In Another Land<\/p>\n

4)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>2000 Man<\/p>\n

5)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>Sing This All Together (See What Happens)<\/p>\n

<\/div>\n

Side D (mono)<\/strong><\/p>\n

1)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>She\u2019s a Rainbow<\/p>\n

2)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>The Lantern<\/p>\n

3)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>Gomper<\/p>\n

4)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>2000 Light Years from Home<\/p>\n

5)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>On with the Show<\/p>\n

\u00a0\u00a0Hybrid SACD<\/b><\/p>\n

<\/div>\n

Disc 1 (stereo)<\/strong><\/p>\n

1)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>Sing This All Together<\/p>\n

2)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>Citadel<\/p>\n

3)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>In Another Land<\/p>\n

4)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>2000 Man<\/p>\n

5)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>Sing This All Together (See What Happens)<\/p>\n

6)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>She\u2019s a Rainbow<\/p>\n

7)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>The Lantern<\/p>\n

8)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>Gomper<\/p>\n

9)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>2000 Light Years from Home<\/p>\n

10)\u00a0\u00a0<\/span>On with the Show<\/p>\n

<\/div>\n

Disc 2 (mono)<\/strong><\/p>\n

1)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>Sing This All Together<\/p>\n

2)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>Citadel<\/p>\n

3)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>In Another Land<\/p>\n

4)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>2000 Man<\/p>\n

5)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>Sing This All Together (See What Happens)<\/p>\n

6)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>She\u2019s a Rainbow<\/p>\n

7)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>The Lantern<\/p>\n

8)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>Gomper<\/p>\n

9)\u00a0\u00a0\u00a0\u00a0\u00a0<\/span>2000 Light Years from Home<\/p>\n

10)\u00a0\u00a0<\/span>On with the Show<\/p>\n

 <\/p>\n

\"tn-10\"<\/a><\/p>\n

Michael Hepworth<\/p>\n

287 S.Robertson Blvd, Beverly Hills, CA 90211<\/p>\n

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  Michael Hepworth       THE ROLLING STONES\u2019\u00a0THEIR SATANIC MAJESTIES REQUEST \u2013 50th\u00a0ANNIVERSARY SPECIAL EDITION\u00a0COMING SEPTEMBER 22 FROM ABKCO\u00a0     HOLLYWOOD (Perfect Music Today) 7\/31\/17\/–To commemorate the 50th\u00a0anniversary of The Rolling Stones album\u00a0Their… <\/p>\n

Continue Reading THE ROLLING STONES\u2019 THEIR SATANIC MAJESTIES REQUEST \u2013 50th ANNIVERSARY SPECIAL EDITION RELEASE<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[528,458,527],"_links":{"self":[{"href":"https:\/\/perfectmusictoday.com\/index.php\/wp-json\/wp\/v2\/posts\/1010"}],"collection":[{"href":"https:\/\/perfectmusictoday.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/perfectmusictoday.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/perfectmusictoday.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/perfectmusictoday.com\/index.php\/wp-json\/wp\/v2\/comments?post=1010"}],"version-history":[{"count":1,"href":"https:\/\/perfectmusictoday.com\/index.php\/wp-json\/wp\/v2\/posts\/1010\/revisions"}],"predecessor-version":[{"id":1012,"href":"https:\/\/perfectmusictoday.com\/index.php\/wp-json\/wp\/v2\/posts\/1010\/revisions\/1012"}],"wp:attachment":[{"href":"https:\/\/perfectmusictoday.com\/index.php\/wp-json\/wp\/v2\/media?parent=1010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/perfectmusictoday.com\/index.php\/wp-json\/wp\/v2\/categories?post=1010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/perfectmusictoday.com\/index.php\/wp-json\/wp\/v2\/tags?post=1010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}